Sunday, July 19, 2026

93. What's the point?

"Ennui" (ca. 1914) by Walter Sickert

The narrator's children differentiate between personal anecdotes, which have "no particular shape or message to hammer home," and "real" stories, which do (93). Her children prefer "stories."

Is this preference a reflection of their age? Do adults also prefer narratives that have a "message to hammer home"?

What is the purpose of shapeless anecdotes that don't offer a payoff message or a clear takeaway? Is entertainment value their only measure of worth?

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